Tag: danger

  • danger

    A kitchen, a house in the country — dry and dusty, very little greenery.

    A little boy with dark hair and a baby face sits at the kitchen table playing with an old wooden birdhouse.

    I see a yellowjacket crawl sluggishly over the back of the birdhouse. Inside I see the telltale paper comb covered with more yellowjackets.

    I shout a warning to the boy — he is my son in this dream — and he laughs at my fear. I command him to take the birdhouse out of the house.

    He does grudgingly.

    I turn to see a girl — his sister, my daughter in the dream — sitting on the floor by my briefcase. She is playing with another hunk of honeycombed nest. She digs her finger into a hole, tearing at the gray papery mass, and draws out a still pupating larva. 

    She tells me it’s safe.

      
     

  • a tornado, two corpses, and a leather sofa

    Inside the house, people are starting to panic. The sky outside is dark and green, the wind bending the trees to almost impossible angles. We can hear the sirens and, in a house this old, there is no safe place . . . every room has windows, the elderly frame flexes and creaks in the wind just like the trees outside.

    Women huddle with their children, people cover in corners and try to stay out of the way as pictures fall from walls, little knickknacks shatter to the floor.

    I can feel a pressure in the house, a suction that ebbs and flows as the storm overhead rages on. I move from room to room, peeking out of windows as I pass, making sure they stay open so that the suction won’t blow them out completely.

    Through one window, I watch as a massive trees outside comes down. The entire house shudders under the weight of it. People are screaming now.

    I look up to the mass of gray swirling in the sky, like ink in milk . . . funnel clouds dance around each other, like strands of barbed wire twisted together. I count five of them, shouting out to the people to take cover. The funnels move in.

    I head into another room and suddenly the house is vibrating, a low hum that slowly builds to unbelievable intensity. I can feel it in my eardrums, in my molars, in my gut.

    People are praying, people are crying.

    Looking back on it now, I am surprised I did not think of the gods.

    The ceiling of the room I am in begins to peel away, I move quickly to the other side of the house . . . Just in time to see something so odd, my eyes have trouble making sense of it at first.

    It is a rubble in the suddenly still air of the room, a wavering column of distortion that runs from floor to ceiling, as wide as a refrigerator and spinning. It moves across and through the opposite wall without leaving a trace of its passing.

    Then all is quiet once more — save for the sobs and cries from the other rooms.

    Later…

    The specific circumstances of it escape me now, but at some point I am helping out with a local theatre company in town. One of the actors has an old van that we need to pick up to haul props. I volunteer to go over to their house and collect it.

    They live in a seedy part of town, their house is a hoarder’s nightmare. Out back in the tall weed a is a rusty van, engine idling.

    I go to see if they’re inside, ready to go . . . only to find that while they are inside, they’ve already gone.

    Her face is bloated, her lank gray hair matted to her skull with sweat and vomit. There’s no way of telling how long she’s been this way.

    Repulsed, I back away.

    And later still…

    “I need to talk to you,” my son tells me. I nod and suggest we go out back where it is quieter and the people at the party won’t bother us.

    Why we are having the cast party in the dead woman’s house, I don’t know. It didn’t seem odd at the time, but I have a vague recollection of being worried that she might be discovered back there and somehow spoil things for everyone.

    On the rickety back porch, I see the van in the weeds — the engine has long since run out of gas — and I suddenly remember that I never called the police.

    My son is already down the steps, trying the side door of the van. I call to him to leave it be but he is curious. Something dark and vile has pooled at one corner in the grass below, running from the door frame like a faucet accidentally left on.

    He opens the door and I hear his disgust. He starts to move the body, to try and get her out but she’s become a liquid, gelatinous mess. I tell him to leave things as they are, otherwise the police might suspect him of trying to cover something up.

    He runs inside to call 911.

    Standing there in the dead grass, I turn my head to look down the broad alley at the back of the house. A few yards down there is a splintered wooden fence, leaning to one side. A large dead tree bends low over it, the skeletal boughs hanging over the alley.

    Caught in the boughs is the body of a small child.

    And just before I wake…

    My wife and I are walking through the house, we cannot believe that we are so lucky to have a place of our own at last. In the attic room we find an old leather sofa that the previous owners have left behind. I flop down on it in exhaustion. Under my hand, the dull surface gleams as I wipe the dust away.

    My wife stands at the gable window and looks out onto the street below. She turns and raises her blouse over her head, tosses it aside. Her jeans and panties follow. By the time she gets to me, I am ready for her.

    She straddles me and we begin to move, the old sofa creaking under us.

    Somewhere down below in the house, we hear a door slam. A woman calls out, we hear the voices of children, little feet running up the stairs…

  • the right to bear arms

    …I’m stunned to see the President of the United States at the door. He bustles in before I can get my head around his sudden appearance.

    He is alone and clearly in peril. He slams the door and locks it behind him, thanking me for letting him in. It is strange to see him scared, completely alone. I wonder where his Secret Service protection has gone.

    He apologizes for the intrusion and removes his tattered coat. I notice he has a shoulder holster beneath.

    My mother comes into the front hallway and is clearly displeased to see him in her home. She informs us that his interruption is right in the middle of ‘Dancing with the Stars’ and that she doesn’t “feel comfortable with that man having a loaded gun in the house.”

    Her glare is withering.

    I protest, saying it’s our duty to give him shelter and protection. But it’s clear that she’s unimpressed, perhaps because she didn’t vote for him. She returns to her program, leaving me to apologize to the President…

  • eastern promises

    I find myself on a tour of a city somewhere in Eastern Europe. It is a dank, darkly industrial place — all smokestacks and ornate spires, brick walls stained with soot. Tagging along with a friend from junior high — he has made this trip many times before — I wander through the streets and shops, taking pictures as I go…

    …the market, full of cheap knockoffs of western products and strange gummy candies, bright as chemicals…

    …a flock of pigeons, black with soot, taking flight into a smoke filled sky…

    …the rushed tour through a defunct governmental building, paper-strewn floors and broken skylights, a crudely mimeographed guide handed out — rough paper decorated with crayon scrawls and stupid jokes about American super heroes. We join an Australian tour group, twenty or more strong, demanding their money back . . . but the scam artists operating the tour lock us out…

    …tagging along with the Australians, safety in numbers, despite the growing signs that they hide dark secrets — hints that they’ve been on this same trip for decades, damned and doomed to wander in a forgotten corner of the world…

    …gathering together in a crumbling courtyard for the night, an old movie shown on a sheet hung up on one wall . . . I am horrified to see a young girl, her wits damaged in some way, mutely servicing one of the Australian men with her hands while the movie plays, casting a sickening constellation against the jacket of the oblivious woman in front of them…

    …edging out of a brick archway, strewn with vines — no interest in seeing how the movie turns out, wanting to escape their company before the evening reveals even more distasteful secrets…

    …standing in a darkened alley, taking a picture of clothes lines fluttering overhead. Two men pass along a narrow opening. They pass by and, after some hushed t ones, they return — demanding my phone and whatever money I have. One of them is dark and menacing, the other blonde and aloof. Despite the danger, I refuse and, somehow, make my escape…

    …spending the night in an old flat, the women there gray with age and disappointment…

    …the men burst in, having tracked me to my little haven. Somehow I get the upper hand…

    …the dark man is kneeling, hands bound behind him. I slap his face roughly once, then again. His eyes raise to me, full of hate, and I pull back my balled fist…

    …and then I wake in the cold light, bare branches outside my window and my daughter murmuring across the hall.

  • weird stuff

    I said to my daughter “Get behind me.”

    “What’s wrong?”

    “I’m not sure. Something weird’s going on.”

    “I can handle weird, dad.”

    I looked at her. “My kind of weird.”

    She got behind me.

    [I’m guessing at the date on this one, based on something I posted to Pinterest seven months ago. Apparently this dream involved skeletons and a doctor’s waiting room.]